The figure of “honour”, atop the rather mournful Guards Crimean War Memorial in the background, seems to be looking at the marching flag man and shrugging. “What can you do?”

On the edge of the Nakba Day Rally, walking away from it in the direction of the Tommy Robinson march, Banksy’s latest statue seen from the rear, and situated just outside the Atheneum on Lower Regent Street and Pall Mall, looked like it might have been an unlikely tribute to one of the mass trade union, Irish or Socialist leaders of the 1880s, whose demonstrations against unemployment and the Irish Coercion Acts in 1887 were met by volleys of empty champagne bottles flung from the upper windows of the Pall Mall “Gentlemen’s” clubs and a police assault in Trafalgar Square that led to 1 death and 400 injuries; with the army standing by with fixed bayonets. John Burn perhaps. The sort of statue you might see in a country in which the ruling class owns a revolutionary tradition. That of Danton on the Boulevard Saint Germain comes to mind.

However, even from the rear, there was something about the suit that was from a later period. And something about the mechanical toy style of marching that suggested the Right, not the Left.

Looking at it from the front makes all that clear. The huge flag, waving boldly and pointing ever onwards and upwards is blowing back across the marcher’s face, so that he can’t see where he is going. Blinded by belief. And he is stepping confidently forwards, off the edge of the plinth, at the foot of which all the kings horses and all the kings men would have a lot of trouble putting him back together again. The flag has no motif, so it can stand for any set of beliefs that blinds someone to facts and the reality of their situation. However, in the context of the dominant set of statues in London, almost all of which celebrate military figures from the days of Imperial pomp, and in the aftermath of the “put out the flags” movement, its obvious who his target is.

His own video of the erection of the statue underlines this.

As with all progressive statues in London, there will now be a struggle as reactionary forces in local government, like the Conservative Restoration in Westminster, seek to have it removed lest it lead people to think.