A Tale of a Phoenix

You have to kill the poets

When they laugh at your lies.

You know there were no babies,

burned in an oven on the seventh of October.

Not one.

A baby killed in an oven has a dreadful resonance

In a culture haunted by the nightmare

Of so many of them in the forties

Too much so not to use the idea

Made hallucinogenic by past fears

Constantly stoked

To put a genocide beyond moral question.

Unbearable to have that exposed to ridicule

To have self deception stripped bare

By caustic words that cut to the nerve ends

So much better to pretend

That the poet was mocking the baby

As if it was as real

As all the babies killed by the Nazis

Than allow any self reflection

On why you need to make up a lie

As terrible as that.

Better by far to kill the poet

Before he expose you again.

But the explosion from the bomb you used

To kill him,

his sister,

his brother in law,

and their four children,

has blown his words

around the world

like a million kites

written in two hundred languages,

has thrown his pen

in your soldiers faces,

and a phoenix alights

in a billion hearts.

Somos todos…

Nous sommes tous…

We are all…

12/12/23

In homage to Refaat Alareer; Poet, teacher, Palestinian. 23/9/79 – 6/12/23

Suburban Spring Procession

On a warm bright day in March

In the precession of the anthropocene equinox

Before the clocks were turned back to thirteen

On the pavement opposite

Beneath the quiet mock Tudor flats

And the frothy white blossoms

And the dusting of green hints of Summer

On bare late winter branches

Three figures like a tiny carnival.

A Spring Procession too early for an Easter rebirth.

A lardy man in the lead

Carrying a white frame for windows

In meaty carpenter’s hands

With rectangular spaces for icons of various sizes

Frames within frames.

A Mum in a headscarf hauling a rope

Pulling a happy boy on a big green bulldozer

His legs lazily turning with the pedals

Venus and Cupid?

Madonna and Child (in a material world)?

A second, back up Mum behind

Keeping pace with a determined jaw

Pushing a three wheeled heavy duty push chair

A Chelsea tractor of the pavements.

Together becoming more than the sum of their parts

All heading East in single file, equally spaced, equally paced

Finding significance in coincidence.

With thanks and apologies to Rudyard Kipling (How the Rhino got his skin) and George Orwell (1984 opening lines).